Organized criminals had once plagued the US and Sicily (Italy). They ran parallel regimes. American writer Mario Pujo wrote his novel “The Godfather” in 1969 and owed more to cinema than literature. In 1972, Francis Ford Coppola in Hollywood made a classic film with the same name. In this, Marilyn Brando played the mafia kingpin and Al Pashino played his son. After this, how many legitimate, illegitimate versions of this film were made around the world, even Mario Pujo had stopped keeping an account of it. Actually, ‘The Godfather’ is such a mine, whose films are still being excavated. The latest film ‘The Power Mvoiew’ is produced by Mahesh Manjrekar. This is a ‘Powerless’ (powerless) film opposite the name. The story is lifeless. The incidents are absurd. The screenplay is so scattered that from the beginning to the end the film echoes. That means a big headache of two and a half hours for the viewers.
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In the past too many weak films were made on gang war
Mahesh Manjrekar has also made several weak films on the gangs before. ‘The Power’ is even weaker than them. In it Manjrekar plays himself as a mafia gangster. Hardly anyone has done such a childish parody of Marilyn Brando of ‘The Godfather’. Vidyut Jamwal tried to imitate Al Pashino in the role of his younger son, but it did not work. The daughter of a loyal member of Manjrekar’s gang, Shruti Haasan and Vidyut Jamwal’s juicy love story keep on fighting between the fighters. Salim-Suleiman’s fine song ‘Sun le tu meri arjiya’ was submerged in this stuttering.
Hero kept fighting even after eating two bullets
In flour, flour is equivalent to salt. If the flour is equal, then the film’s appearance deteriorates. That’s why ‘The Power’ is spoiled. The bullets keep on moving continuously. Where the bullets do not move, kick-punches start moving. In every other scene, someone’s body arises. Shruti Haasan, a victim of misunderstanding, fired two bullets in the electric jamwal’s chest in a scene, so it seemed that this too was done. But what is that hero who eats bullets and walks. Vidyut Jamwal returned on the lines of ‘I will come back’ and started playing a band of miscreants.
Karatnuma war is not called acting
When the entire film is being drawn with the help of action, there is not much scope for acting. Kya Vidyut Jamwal, Kya Shruti Haasan and Kya Mahesh Manjrekar are all victims of over-acting in the emotional scenes of The Power. The problem with Vidyut Jammwal is that the people believe that the Karatnuma battle is very active. Whatever the scene of the mood, their gestures remain the same. Here, even a lion of Ghalib, he reads so flatly (and misreads), not Goya lion, by rote reading the multiplication table. The lion was- ‘What comes from their sight is awe on the mouth / They understand that the condition of the sick is good.’ Really, no one is good in ‘The Power’. Behalf film from every perspective. Good for what you see Whatever is not seen, it is better for him.
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0 Film: The Power
0 Rating: 1.5 / 5
0 Duration: 2.33 hours
0 Writer-Director: Mahesh Manjrekar
0 Photography: Rakesh Rawat
0 Music: Salim-Sulaiman
0 Artists: Mahesh Manjrekar, Vidyut Jamwal, Shruti Haasan, Sachin Khedekar, Jishu Sengupta, Prateek Babbar, Zakir Hussain, Medha Manjrekar, Yuvika Chaudhary, Sonal Chauhan etc.