Poonam Dhillon’s son Anmol’s Bollywood debut: what will be achieved by the mother, read here

The era has changed. Some rituals of Hindi cinema did not change. For example, the ritual that the first film of every Sitara son will be made on the love story. Raj Kapoor started this series by making ‘Bobby’ for Rishi Kapoor. Sunny Deol started dismantling the hand pump much later than ‘two and a half kilos’. Her first film ‘Betab’ was the Khalis love story. ‘When we will be young, know where we will be’, said Marca Romani. Prem Pahad was also read in Kumar Gaurav’s ‘Love Story’, Sanjay Dutt’s ‘Rocky’ and Bobby Deol’s ‘Barsaat’. Most of the star sons’ films have more or less the same story. Poor hero, rich heroine (used to swap in their status). The old rivalry in the family of both, which is what it is that is over before the climax. Song and music were instrumental in running these films.

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What is this to come in ..
Sitara sons are still going on today, but neither a well-written story is being written for their films, nor is attention given to song and music. That is why two years ago, Karan Deol’s son Karan Deol had a ‘Ye kal aane mein aana hai’ issue with ‘Pal Pal Dil Ke Paas’. The same situation is this Tuesday’s Tuesday and Fridays Movie Review. This is the first film of Anmol Thakeria Dhillon, son of Poonam Dhillon. In the beginning, Neha Kakkar introduced ‘Your photos in the phone, Mommy ask, son who is / You have not slept overnight, whom are you chatting with’, with a familiar hang-up. What type of film will it be. Whatever happened next is so childish and artificial that Prem flees from the film and asks for shelter elsewhere.

Advocacy tips in love
Hero (Anmol) is the author. Instead of reading and writing, he is always hovering around the heroine (Jhatleka Malhotra). Heroine is a lawyer. She also finds advocacy tips in love. After a couple of reels, his story flies from Mumbai to London. In a scene, the hero says, “Every relationship has an expiry date.” The makers of the film have brought a lot of distance. Heroine prepares the law of love. That the two will meet only on Tuesday and Friday, so that freshness in love remains.

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‘Time pass item’ made Prem
In the seventies, a song ‘Aaj Mohabbat Band Hai’ in Rajesh Khanna and Mumtaz’s ‘Aapki Kasam’ was kept for just three minutes. In ‘Tuesdays and Fridays’ it became the basis of the hoeing story. This is the extent of the plight of love. Mohabbat tijarat (business) was already made in films. It is now being introduced as a ‘time pass item’. In ‘Tuesday and Friday’ neither the hero’s character is understood nor the heroine’s. Both of them agree easily on the agreement that except Tuesday and Friday, the rest of the week will be free from each other. That is, in the meantime, both can also run ‘love affair’ than anyone else.

Anmol and Jhatleka are also weak links
This film, which mocked Prem, continues to falter from beginning to end. Along with the story-script, Anmol and Jhatleka are also the film’s weakest episodes. Chocletti does not raise any hope. Throughout the film, there is a similar feeling on his face that the one who gives good and not the one who gives good. They should learn acting in the first leisure. Otherwise, his car does not seem to go very far with an emotionless face like ‘Tuesdays and Fridays’. Jhatleka has not shot any arrow. There was not much scope in the whispering character given to him.
– Dinesh Thakur

0 FILM: Tuesday and Friday
0 Rating: 1.5 / 5
0 Duration: 1.46 hours
0 Writer, Director: Taranvir Singh
0 Photography: Ivan Mulligam
0 Music: Tony Kakkar
0 Artists: Anmol Thakeria Dhillon, Jhatleka Malhotra, Nikki Walia, Kamini Khanna, Nayan Shukla, Reem Sheikh, Eklavya Kashyap, Ibrahim Chaudhary, Parveen Dabas, Anuradha Patel etc.

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